Columns

13 September 2011

Opinion: Sex and sci-fi

jackandangelo

By Tracey Sinclair

Having once, for my sins, worked in the complaints department of the BBC, I have finely tuned antennae to anything that is likely to get the tabloid knickers in a twist: it used to be a longstanding joke among my colleagues that today’s Daily Mail front page would be tomorrow’s inbox. So even as I sat watching the episode of Torchwood where Captain Jack gets seriously frisky with Angelo the Italian hottie, I was mentally scripting the predictable outcry – and of course, I wasn’t disappointed. ‘It’s supposed to be sci-fi, not sex!’ the paper cried, happy to have any excuse to wheel out thinly-veiled homophobia (though, as ever, not above the double standard of illustrating the piece with some nice Jack and Angelo action) and never missing a chance to give the BBC a kicking, because if there’s one thing worse than gay sex, it’s licence-fee funded gay sex. So far, so predictable, and pretty much so ignorable: if I lived my life according to the Daily Mail, I’d be spending my days worrying that my house was going to be taken over by Romanian squatters when I pop out to the shops to buy the wine I badly need to drown my sorrows, what with how being a career woman has made no one want to marry me and will give me cancer.

But then things took a surprising turn. The Guardian, equally predictably, ran a counter piece in its Comment is Free section, where Richard Smith made the point that most people are actually not that shocked or offended by the sight of two men snogging on TV. While I generally try to adhere to the maxim ‘never read the bottom half or the internet’, I was shocked that a rather scary amount of commentators echoed the Daily Mail line: this being the Guardian, there were many ‘I’d be just annoyed if this was a straight sex scene’ (not sure I believe them, because it does seem the ‘gay’ is as important as the ‘sex’ in most complaints, but hey) but there seemed a fairly large consensus of opinion saying there is no room for sex scenes in science fiction shows. ‘Russell T Davies needs to remember this is Torchwood, not Queer as Folk’, huffed one commentator, and he wasn’t alone. But, here’s the question – why does he?

For a start, if Russell T Davies wants to make Torchwood into Queer as Folk in space, it’s his show – so presumably, as long as he can get a network to go along with it, he can do what the hell he likes. You don’t have to watch it. (Though it’s worth pointing out to those who carp on about Russell T Davies ‘shoving it down our throats’ that ‘Immortal Sins’, the episode with the non-stop shagging, was actually mainly written by a woman, Jane Espenson, who as far as I know can be cleared of having one of those secret gay agendas that the press seem so keen on uncovering.) Why does a show being science fiction preclude it including sex scenes – of whatever variety or strength?

It has long been a joke – albeit it neither a funny nor an accurate one – that the only people who like science fiction are badly dressed, dateless losers who live with their parents. It’s up there with the idea that women don’t like ‘proper’ science fiction (you know, we’re too busy buying shoes). If us females are allowed into the hallowed enclave of geekdom, we spoil it by caring about characters’ relationships or fancying vampires, when we should really just be dressing as slave Leia and keeping our pretty little mouths shut. So it’s us girls and gays, then, ruining it for everyone. I might have laughed through tightly gritted teeth when critic A A Gill said, in his review of short-lived sci-fi show Outcasts, that ‘kissing is Kryptonite for geeks’ but it’s starting to seem like he had a point. TV has grown up – the same way we wouldn’t expect a modern police show to be Dixon of Dock Green, why expect a science fiction show to be a plastic, shiny world where people do no more than a bit of light flirting? Do we really think in the future people won’t be having sex?

I disagree fairly vehemently with those, including this magazine’s Jamie Pohotsky, who say that the BBC was right to cut the sex scenes from Torchwood because of its unique, licence-fee remit, because unless you extend that argument to cut out the violence from post-watershed shows – and remember, Torchwood is shown after the watershed – you’re buying into the argument that sex, straight or gay (and let’s face it it’s more likely to be gay sex that gets the complaints in) is more offensive than violence, which I think is a pretty unhealthy view of the world, but at least that argument makes more sense than some blanket ban on sex in sci-fi. I’m not saying the Doctor should be getting his kit off on a Saturday teatime, but if you’re pitching a show at an adult audience, why is it unreasonable to show adult scenes? Some of the best science fiction of recent years has been created where the programme makers weren’t scared of being unashamedly grown up: shows like the rebooted Battlestar Galactica dealing in a world that reflects our own, where people live and die messily, where they have sex and swear and drink too much (and, shock horror, that includes women!).

Torchwood isn’t a children’s show, and it’s built around a character who has spent half his life shagging his way around the universe; it seems absurdly coy to complain when some of that is shown on screen. I’m not saying there isn’t a charm to those shows catering squarely to a family audience or that, god forbid, everything needs to be ‘dark’ and ‘gritty’ to have merit. But why isn’t there room for both?



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This argument sort of reminds me of the programme  'Mistresses' was specifically about some women 'shagging' about, and was (poorly) marketed as a British 'Sex and the City'...but that also remained fairly 'coy' about them actually having sex, generally they'd show the 'after sex', like one of the characters walking around in a shirt, all of it sort of being implied. I agree with Jamie, it's all to do with the fact its BBC 1. I think if Torchwood had aired back on even BBC 2, it would have gone out unedited. 

As my article was mentioned, I feel the need to respond to some extent.. Firstly, I actually agree with you for the most part-- adult themes should not be hidden from SciFi. Battlestar is actually one of my favourite television shows. However, your usage of both Torchwood and Battlestar next to each other fails to recognise the context of both when it comes to visual content and who inititally broadcasted both.

Battlestar was on basic cable in the US so it was subject to the same rules as most over the air television. No swearing, no explicit sex, etc. Torchwood, on the other hand, was written for a premium content channel, where viewers expect sex scenes to be all but actually real-- as I stated in my article such a channel costs an extra 20 dollars a month. No commercials and lots of sex.

There is thus a distinction to be made between thematic censorship, which i find repugnant as I'm sure you do, and visual censorship. In the case of Torchwood it wasn't a sex scene that was cut. It was 10 seconds of two sex scenes, one straight and one gay, intercut. It is not as if they hid the fact that there was sex-- the adult themes were still very much present. What they DID cut were the few frames that made the show Premium content in the US. From an industry perspective, and considering how each channel functions on UK TV that makes sense. Queer as Folk would never been shown on BBC 1-- Skins would never have been aired on BBC 1. Channel 4 has a different remit, thus it can and should and does.

Saying "It was post-watershed regardless" also is a disingenuous argument when you consider the fact that in the US, the country that now holds a majority financial stake in the series, Torchwood has taken off in popularity whilst Doctor Who has stayed relatively low in the numbers. Put it this way, Torchwood in the US actually IS mostly watched by adults. In this country, as there is the latent family element to Torchwood's viewer base, regardless of what some say, it's still a family show. Did those children still see -A- sex scene? Yes. Do I have a problem with that? No. Did they still see the "adult themes" we both actually praise? Yes. But they didn't see 10 seconds that were just too explicit for BBC 1.

They did not thematically censor anything at all-- when the censorship of ideas becomes the case, things go terribly wrong. But when you remove specific one off shots of a penis or a man licking a woman's nipples because it's the BBC's general audience channel while maintaining the sex scene as an emotional and thematic element of the plot? It's nothing to scream about.

Which returns me to Battlestar. If Battlestar were written for HBO or Showtime or Starz and not US basic cable, it would've had many of those 10 second moments and BBC, had it been the broadcaster, would've cut them, regardless of genders. And what would that theoretical new BBC slightly cut version have looked like? The one that you know and love and praise already-- the one that was already shown on basic cable without explicit sex-- the one with sexual themes and scenes but that is not explicit.

As I hope I made clear, Jamie, I respect your argument, which is clearly coming from a very informed viewpoint and is not in any way pro-censorship, but I'm afraid I just don't agree with it; I obviously understand the distinction between paid for cable TV and free-to-access licence fee funded content but I think that given the nature of plenty of things that are shown post-watershed, it was a questionable decision to cut the scene, and one that I think buys into a fairly damaging belief on the part of broadcasters that violence is more inherently acceptable than consentual sex.

That said, as I also hope comes across, the bulk of my argument is not regarding that specific cut, but more a general trend in science fiction to treat sex as something gratuitously inserted into a show and somehow diluting 'pure' sci-fi, which is a position I find odd; I'm not advocating explicit sex scenes (straight or gay) in any show but believe that, within the restrictions of the relevant broadcasting rules that apply to them, programme makers should be free to make their shows the way they see fit, and a sex scene in Torchwood is no more out of place than it would be in the Wire.

To your last point, if we're going with the Showrunner-as-Auteur concept, even Russell T Davies is quoted in Doctor Who Magazine as saying “In fairness, it’s a very unusual situation in Britain, Captain Jack is a children’s hero , because of his Doctor Who connection and you cannot deny that some children will watch Torchwood,” Doctor Who Magazine. (DWM436) So he was personally fine with the way it was handled. (As were others as an interview of mine with a certain writer continues on Friday but explicitly about Torchwood).

It's also not about sex vs. violence as a fairly violent scene in this thursday's Torchwood finale has also been edited for content. (Having used a wonderful device known as a Slingbox I have legally seen the US broadcast and I've got to say, I do see why this was also edited).

To me the fundamental shift (that I think we both see as good) in Science Fiction is less about a shift to sex and more accurately happening a shift from the notion that "humans in space are in general at peace with everyone" that comes from the Star Trek world. Picard has that line in First Contact where he talks about how "money is irrelevent in the future" etc.. but in recent years SciFi writers have moved to humanise their characters and in doing so they reach a significantly larger audience (BSG was one of the few miniseries in US television history that actually had its viewership increase on the second night.) One of the ways that the characters are humanised? Sex. To which I personally say "hooray!"

But all things being equal, and we are down to the nitty gritty of industry nitpicking at this point, BBC 2 at 11:30 pm (The Wire) and BBC 1 at 9 pm (Torchwood) are fundamentally different timeslots.

And in any case, as I'm sure you've heard at this point, I think we need to continue this conversations over pints and with a certain moderating voice that we both know. :)

Jamie, I do take on board your point about Captain Jack (while again, disagreeing with it) and perhaps the Wire is a bad example; but consider the content of BBC shows like Waking The Dead, or Luther, and what is considered acceptable content for these.

And yes, I would love to continue this conversation over a drink, though as the 'moderating voice' and I tend to have many, many disagreements on such things, I fear I am setting myself up to be out-numbered!

Hope to speak in person soon...